The Eventim Apollo erupted in thunderous applause as Sydnie Christmas delivered one final, show-stopping performance as Cruella de Vil. In the climactic finale of 101 Dalmatians: The Musical, Britain’s Got Talent winner proved why her portrayal of the iconic villain has been called “the performance of a lifetime” blending vocal fireworks, wicked charm, and pure theatrical magic into an unforgettable farewell.
This finale video captures the production’s dazzling conclusion, with Christmas commanding the stage during “Spotlight on Me.” Surrounded by an ensemble of puppet dalmatians and joined by special guest Aston Merrygold, she transforms Cruella’s exit into a tour-de-force moment; equal parts terrifying and mesmerizing, with vocals that soar over the roaring orchestra.
101 Dalmatians Musical Finale (Eventim Apollo)
Social media exploded with praise: “That final note shook the theater!” Fans marveled at how Christmas “made Cruella both hilarious and heartbreaking.” The standing ovation lasted minutes, with many calling it “the best West End finale in years.” Even co-star Jeff Brazier was seen wiping tears during the emotional curtain call.
For another taste of Christmas’ vocal prowess, watch her breathtaking “Tomorrow” performance on Loose Women. Just like her Cruella, this rendition showcases her ability to balance technical perfection with raw emotion; proving she’s equally powerful as both villain and heroine.
Sydnie Christmas on Loose Women singing Tomorrow – Has the women in tears! Will move you to tears!
Christmas’ stripped-back version of the Annie classic highlights her incredible range. Where Cruella revels in brassy theatrics, this performance reveals her vulnerable side’ those crystal-clear high notes and emotional phrasing that first won her the BGT Golden Buzzer. The perfect contrast to her deliciously wicked Dalmatians role.
Follow Sydnie’s rising star as she takes on new challenges after this acclaimed run. From backstage farewell posts to sneak peeks of upcoming projects, her channels offer fans a front-row seat to an artist transitioning from talent show winner to bona fide West End leading lady.