How Did Michael Jackson Lean Like That Without Falling?

You’ve seen the moment even if you’ve never watched the whole thing. Michael stands in a room full of dancers. The music drops out. Then he tips forward. Way forward, further than any standing person has a right to go before their face meets the floor.

Then he comes back up like it was nothing.

People still argue about how he pulled it off. Wires? A camera trick? The real answer is stranger than the guesses, and it wasn’t even the same trick every time.

The “Smooth Criminal” sequence was directed by Colin Chilvers, who’d already won an Academy Award making audiences believe a man could fly in Superman. That kind of skill mattered here. It was shot between mid-February and April 1987, partly in Culver City and partly on the backlot at Universal Studios Hollywood. The piece grew into the centerpiece of Michael’s 1988 film Moonwalker, and it premiered internationally on MTV on the night of October 13, 1988.

What everyone took away was that lean. The scene plays out in a smoky 1930s club, Michael in a white suit and a tilted fedora, and in the middle of all that dancing his whole body pitches forward. Back straight, feet flat, held just long enough to make your brain itch.

It looks like a photograph that forgot the rules.

Watch the sequence and keep your eyes on his feet in the seconds before the tilt. That’s where the illusion lives.

Here’s the full short film, cleaned up and remastered, so you can catch the exact beat where the floor seems to let go of him.

Michael Jackson – Smooth Criminal (Official Video)

So how much of it was real? For the film they strapped Michael into a hidden harness and leaned him on cables. It looked flawless through the lens, but it was useless on a live stage, where there’s nothing to hang a person from.

So he solved it a second way. In 1992 he filed a patent with his longtime wardrobe men Michael Bush and Dennis Tompkins, the same people who dressed him. The fix was a shoe. Each heel had a V-shaped slot cut into the bottom. At the right beat two small bolts rose up through the stage floor, the slots slid over them and locked, and Michael could tip past his own center of gravity with nothing touching his chest. The patent even said the bolts should sit roughly between the shoulder blades for balance. It was granted in October 1993 as US Patent 5,255,452.

And even with the shoes doing the hard part, holding that pose still took real strength.

Not bad for a move half the world swore was impossible.