Karolina Protsenko’s Violin Cover of Queen’s ‘We Are The Champions’ Will Leave You Speechless—No Words, Just Power

Kevin Myers

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Some covers echo. This one roars. In a world that’s grown used to big stages and louder effects, Karolina Protsenko took Queen’s anthem “We Are The Champions” to the streets—and turned a quiet sidewalk into an emotional victory lap. No band, no Freddie Mercury—just one girl, one violin, and a performance with over 314,000 views (and climbing fast).

With just her bow and pure passion, Karolina makes the classic Queen anthem feel brand new. Each note rises like a battle cry, and even without lyrics, you feel every word Freddie once belted. Her violin sings of triumph, of struggle, of every small win we’ve all had to fight for. It’s not just a cover—it’s a story, and Karolina tells it like a champion.

We Are The Champions – Queen | Karolina Protsenko – Violin Cover

People around her stop mid-walk. Some record with stunned smiles, others sway with eyes closed like they’re hearing the anthem of their own journey. Online, the praise is pouring in—“This moved me more than the original,” one fan wrote. Another said, “This gave me chills all over again.” With no microphone and no lyrics, Karolina still managed to shout something powerful: you’ve made it.

But this isn’t her first time reimagining greatness. Just a scroll away is her breathtaking violin rendition of another Queen classic—proof that when Karolina takes on legends, she doesn’t copy—she elevates.

Somebody To Love – Queen | Karolina Protsenko – Violin Cover

Fans called it “soul medicine.” They said her violin doesn’t just play—it sings, it speaks, it heals. With views crossing the 1 million mark, it’s clear she’s become more than a street performer—she’s a vessel for emotional release, for every passerby who didn’t know they needed it.

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Want more of Karolina’s street magic? Follow her on Instagram, Facebook, or check out her site where she shares her journey, performances, and releases. Whether it’s a city corner or a concert stage, she’s redefining how we experience music—one string at a time.

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